Studio 19

Photo: Roshni Khatri

Studio 1

Photo: Roshni Khatri

Studio 7

E. Gyuri Hollósy was born in 1946 in Bavaria, Germany, and is a descendant of two significant figures in Hungarian art history: Simon Hollósy and Csontváry Kosztka Tivadar. His family immigrated to Cleveland, Ohio in 1955, where he later pursued formal art training at the Cleveland Institute of Art and apprenticed with sculptor Frank Varga Sr. in Detroit, Michigan. Hollósy earned his Bachelor of Fine Arts degree from Ohio University under the mentorship of sculptor David Hostetler and, following six years of military service and subsequent medical retirement, completed his Master of Fine Arts degree at Tulane University.

www.hollosy.com

Photo: Roshni Khatri

Studio 22

Studio 13

Fred Morante is a sculptor with interests in science fiction and mythological allegory. With a strong base in traditional bronze casting techniques, his 48-year career with Johnson Atelier and Digital Atelier encompassed teaching and production supervision across foundry, fabrication, and clay modeling, and 20 years with digital modeling technologies. His portfolio includes classic portraiture, public art projects, and memorial commissions. Two of his works are included in the Grounds For Sculpture collection.

Studio 4A

Studio 16

My work speaks to a landscape where its components and their relationships to each other are re-imagined through notions of architecture, still life and sculpture. Solidly informed by the work in the field where shallow water systems held me gaze, these interpretations also reflect the visual calisthenics that I engage to appreciate nuance. These explorations have occurred across painting, print, drawing and sculpture media which increasingly influence each other especially through intuitive shaping-making, line, echo and a notion of communication across communication across the composition.

Leni Paquet-Morante (1962) is a multidisciplinary artist refencing shallow water systems for interpretive work in the studio. Motivated by process driven imagery in paint, sculpture and printmaking projects, her abstractions reconfigure familiar landscape elements, extracted then arranged in a manner that speaks to the architecture of memory and reams. Born in Canda, Leni is a Hamilton, New Jersy based artist. Recent recognition includes a New Jersey State Council on the Arts Finalist Grant for Painting in 2024; residencies at Wheaton Glass Studio in 2025; Vermont Studio Center Residency for Painting in 2024; Peter’s Valley Visiting Artist Residency for Printmaking in 2023. Solo exhibitions include Extract/Abstract: Landscape and the Architecture of memory at Princeton University Art Museum’s Bainbridge Gallery, 2025. She earned a BFA in painting from Mason Gross School of Art in 1912 and studied bronze casting techniques at the Johnson Atelier Technical Institute of Sculpture from 1984-1985.

www.lenimorante.com

Photo: Roshni Khatri

Studio 15

Studio 5

My paintings, sculptures, and site-specific installations are sophisticated layers of imagery that use a vocabulary of the surreal, the sensual, the geometric, and the abstract. All elements are injected with a biomorphic sensibility that is derived from my interest in translating elements of the human body into a fresh language of literal and symbolic form.

Paul Henry Ramirez (born in El Paso, Texas) is an American contemporary artist known for his biomorphic abstractionist paintings and installations. As his figural based paintings evolved to include geometrics, in 2010, Ramirez coined the term “biogeomorphic abstraction” to describe his own bold painting style, a fusion of biomorphic and geometric forms.

www.paulhenryramirez.art

Photo: Roshni Khatri

Studio 6

Photo: Roshni Khatri

Studio 20

Studio 10
Malleable yet fragile, strong yet resilient—qualities that define both humans and pantyhose inspire my artistic exploration. Through the textures and colors of pantyhose, I abstractly visualize moments of introspection, dissecting fleeting emotions and occurrences akin to observing water droplets under a microscope. Each piece aims to transcend into three-dimensional forms, inviting viewers to explore depth through shifting perspectives, where light and shadow enhance the narrative of my interpretation.

Central to my artistic process is the transformation of pantyhose, a distinctly human-made material, into organic shapes. By imprinting this material with my hand, I not only convey personal emotions but also capture the essence of the water droplet metaphor I strive to evoke.

www.katietruk.com

Photo: Roshni Khatri

Studio 14

Two Yellow Flowers is a series of artwork I am currently developing. It represents the duality of the human mind, deeply rooted in the past yet open to the freedom of the present, existing in unique and harmonious imperfection.

Photo: Roshni Khatri

Studio 17

Embracing the mythologies, cultures and pathos of the African Diaspora, Australian Aborigines, Native American and Maori (the indigenous people of New Zealand), my work has evolved into a “potpourri” of many of these indigenous peoples’ cultures as presented in the images included in this site.

www.cliffward.net

Photo: Roshni Khatri

Studio 12

Resourceful and imaginative teaching professional, highly trained in a wide array of artistic mediums. Talented in promoting art appreciation, creativity, and open-mindedness with those that she teaches. Offers individualized support and provides positive encouragement in a caring manner. She is a collaborative and creative educator with outstanding communication and interpersonal skills. Excellent planner and budget minded for successful projects.

Photo: Roshni Khatri

Studio 9